Saturday 24 February 2018

They're gunning for the conspiracy theorists...


18 is the number, the age, in Britain anyway, which denotes leaving childhood. This is also the number of school  ‘shootings’ in the U.S. in 2018, already by the middle of February, according to the group ‘Everytown for Gun Safety’.  Although a Washington Post article, posted on MSN, disputes the validity of this number:
The article explains that the group class a ‘school shooting’ as any incident involving firearms being discharged in a school grounds. The number 18 includes incidents such as a suicide of an adult in a car parked outside a school. The school had actually been closed for several months. Other incidents include those where guns were fired at night after classes were finished and cases where accidental shots caused no injury. The group make the point that ‘every time a gun is discharged on school grounds it shatters the sense of safety” for students, parents and the community. This is true, I’m sure, but the Washington Post article counters this by saying that the criteria isn’t widely publicised and the figures can be misleading. Some would say that is deliberate, and that there is an agenda to take ordinary Americans guns from them. Apart from the National Rifle Association’s vociferous defence of the constitutional right to ‘bear arms’ (incidentally, it’s interesting the way the word ‘arms’, through ‘firearms’, makes guns synonymous with limbs, as if they were an essential part of us), there are those ‘conspiracy theorists’ who argue that hidden powers do not want ordinary Americans to have weapons as without them they are easier to control.
Personally, I think that the deep state is quite happy for people to keep shooting each other, as that helps reduce the population and keep us in fear, together with the alleged acts of terrorism. 
And, the actual figures regarding school shootings are horrific enough without manipulation. The Washington Post’s own analysis has found that more than 150,000 students attending at least 170 primary or secondary schools have experienced a shooting on campus since the Columbine High School massacre in 1999. A number which does not include dozens of suicides, accidents and after-school assaults that have also exposed young people to gunfire. The article also quotes a recent study of World Health Organization data published in the American Journal of Medicine that found that, among high-income nations, 91 percent of children younger than 15 who were killed by bullets lived in the United States. On average, two dozen children are shot every day in the United States, and in 2016 more youths were killed by gunfire — 1,637 — than during any previous year this millennium.

In isolation, this loss of life is sickening enough. But when it is put together with the many other assaults on children that I have referred to in previous posts, such as trafficking, paedophilia, abduction, and the every day pressures on children such as bullying (online as well as physical), which lead to self-harm, anxiety, depression and suicide, it is like a war on childhood. The FBI’s National Crime Information Center states that, in 2014 there were 466,949 under 18s reported missing (compared to 168, 206 18 and older). These statistics include anyone reported missing for 1 or 2 days and children taken by family members. More information about the massive, multi-faceted problem is on the National Centre for Missing and Exploited Children website:

In Lionel Shriver’s novel We Need to talk about Kevin, about a teenager who kills several of his classmates (although this time with a crossbow, not a gun), Kevin’s father, Franklin, normally fiercely patriotic, tells his wife that ‘This whole country’s anti-child’ (Shriver 108). I argue, in my book, that childhood has been reviled and feared at least in equal measure to, and often concurrent with, feelings of reverence and love. People are perhaps secretly repulsed that children stand outside the structures that enclose them and resent it, or else resent themselves for bringing children into this terrible, corrupting world.
Jen Webb discusses Shriver’s admission that We Need to talk about Kevin is partly a critique of America. Webb extends this to argue that it is also a critique of a global society dominated by American doctrines: ‘Eva, Franklin and Kevin exemplify not just the absence at the heart of discourses of ‘the family’, but the emptiness of the rhetoric of freedom and democracy, and silence about the violence of global capital’ (Webb 134). Webb argues that Kevin is ‘the gap that lies below – indeed, that forms the foundation of – the notions of family, nation, and meaning’ (Webb 136). Kevin ‘stands for nothing but absence’ (Webb 137), he is the lost child who disrupts the signifiers which we base our realities on, the power struggles within relationships, families, and countries. He is lost not as a victim himself but as a representative of all that is missing from the world, ‘silences and absences: the gap between how things are and how they seem to be, between the United States and the rest of the world, between representation and reality’ (Webb 136). The character of Kevin highlights the absence, the nothingness, which underlies the world we live in the people we are, and the words we use.
Eva describes how Kevin not only pretended he couldn’t speak up to the age of three, he also withheld his knowledge of written language. When he finally sits down and writes out perfectly words from his ‘grade-school primer’ he exposes its ‘insidious nihilism’. His handwriting has ‘no character’, no personality, it is merely a copy, repetition which reveals the nothingness that lies beneath language:
From the point he admitted he knew how, his printing unerringly replicated the examples in his textbook, with no extra tails or squiggles; his T’s were crossed and I’s dotted, and never before had the bloated interior of B’s and O’s and D’s seemed to contain so much empty space. (Shriver 227)

The ‘empty space’ within the letters is a metaphor for this nothingness, an emptiness which could also sum up Kevin’s attitude to human life. Kevin is himself the absence between representation and reality, signifier and signified. Webb argues that Kevin’s refusal to play the ‘the game of representation’, stripping away ‘the veneer of discourse to show there is nothing behind it’ reveals what ‘linguists and philosophers already know, of course: signs are empty, and take on meaning only when people agree to pretend together that they have content’ (Webb 139-140).
It may seem inappropriate to refer to linguistic or theoretical hypothesising in relation to people – particularly children’s – lives being lost. And yet, it is very relevant to debates surrounding the Florida, and other, shootings. There has been a backlash in the mainstream media, and amongst many in the general public, against claims from some ‘truthers’ who believe that the shooting itself was faked and/or the young people organising protests in favour of gun control are being manipulated. Understandably, perceived attacks on young people who have suffered trauma triggers an emotional response.

I don’t believe that the event was faked. I certainly do believe that many young people were killed in the Florida shooting. It has been pointed out that the term “false flag”, used by some to describe this and many other incidents, from 9/11 to seemingly random shootings, does not historically refer to faked or imaginary events. It stems from old nautical terms when a ship would make an attack while displaying the flag of a different nation, or perhaps a pirate banner, in order to escape detection and enable it to sneak up and attack an unwitting enemy. In the modern context, it is used by “conspiracy theorists” when they believe that an attack within a country, whether blamed on terrorist factions, other countries, or lone gunmen, is actually committed deceptively by that country’s own government, or factions of a “deep state” within it.
“False flag” is, by definition, a signifier, a symbol which is hollow, which pretends to be something it isn’t, behind which a violent force hides. From this “meaningless” representation, comes death. And beyond death, there is the emptiness of not knowing what is real.
And that, maybe, is the ultimate aim of this most recent, tragic inflicting of death on the young. As with politics, the people deep in control will manipulate and maintain their power whether “left” or “right” win an election. In the furore over the Florida shooting and the ensuing campaign, old animosities have been ramped up. As someone who has previous described myself as liberal, left-leaning, I still naturally side with those wanting guns, particularly automatic weapons, out of circulation. Because it is insane isn’t it, that people, teenagers, the mentally ill, anyone can have that capacity to kill so easily available? Almost as insane as selling weapons to states that will use them to bomb innocent children in their schools...
But, one way or another, the two sides will continue ripping each other apart. And, seemingly as a side product of this dispute, there is suddenly widespread mainstream media reference to “conspiracy theory” websites and social media posters who are questioning whether the young student campaigners are supported, or even orchestrated, by “left-wing groups”. Amid the conflicting factions, in the increasing promotion of identity politics, the void will consume those voices that seek to challenge the prescribed narrative, that try to expose lies, falsehood, false flags. I was struck by the speech given by chief executive of the National Rifle Association, Wayne LaPierre, where he vociferously defended the NRA and gun-ownership in general, citing it, and the American way of life, was under attack from “European style Socialism” and referring to a number of perceived enemies, which the article below identifies as Jewish.
This article argues that the speech is an example of anti-Semitism, a form of attack that has been aimed at some well-known conspiracy theorists such as David Icke. LaPierre’s speech does seem scattergun (to choose an unfortunately appropriate phrase) – drawing in Bernie Sanders with people such as George Soros and Democrat politicians. The main point, for me, is that he does touch on elements of the elite conspiracy that are true. There is an agenda, there is manipulation and control, there is deception, and LaPierre names some of those complicit in this. But, crucially, any ongoing reference by the many serious, analytical researchers into deep state abuses and what lies behind the veneer of our society will now be categorised as in league with the NRA, with Trump, the extreme Right-wing, with anti-Semitism, and lining up with these against children who have been shot at, killed or traumatised.

I was very interested to read a quote, shared by An0maly on his Facebook page, from Hitler's Mein Kampf:

“The state must declare the child to be the most precious treasure of the people. As long as the government is perceived as working for the benefit of the children, the people will happily endure almost any curtailment of liberty and almost any deprivation.” 

Those who seek a deeper meaning will be censored; in fact, they are already being censored, shadow banned and their content removed, lost into the void of the monopolies of Facebook, Google and Youtube. They will all be sucked up together, no matter if they are unresearched click bait or intellectual, painstaking analysis. They will all be classed as child killers, destroyers of the future, and purveyors of falsehood. While those false flags keep sailing across the void.

Saturday 17 February 2018

School shootings





Essentially, even if the people that run America and run the world did not deliberately make people shoot fellow school children, even if shootings weren’t staged, even if there was no hand in mind controlling the perpetrators, even then, those people who control society are responsible. They do not have to have deliberately put a gun into a teenager’s hand, they do not have to have planned to medicate and alter the young person’s mind to instigate homicidal thoughts. Because the world we move through already bombards children with anxiety inducing images through every waking moment, reaches into minds to create self-doubt, feelings of insecurity and alienation. It enables us to crowd in on each other’s thoughts to accuse, threaten and undermine. It encourages, actually enforces, that from the youngest age we consume drugs to alter our body and mind chemistry, puts additives in our food. They cause the young to modify themselves, seeking implants of plastic and metal to hold their insides in. And they build structures such as schools which enclose the child and feed them the acceptable propaganda of history and being, denying creativity and spirit. And these schools will so often educate the young into the world outside, with its enforcement, denial, bitterness, repression, and, of course, anger. And we will bottle up our young and offer them the world of war and terror and then stand by and wonder why the young attack each other, or, more regularly, attack themselves.Sacrificial children.


We are all still at school, looking at the clock, desiring hometime, or fearing it, wanting to be somewhere else, wanting to be someone else, waiting to explode, like a gun.

Friday 9 February 2018

The Internet is Supernatural


I’m going to write down some thoughts that have come up around things I’ve read and listened to today. Whether there is a pattern to it, I don’t know, but there are patterns everywhere.


Liz mentioned imaginary friends as we were listening to a podcast. I don’t think I actually had an imaginary friend, as far as I can remember, although I obviously created stories and characters in my head. Imagining the toys on my shelf were real as I lay in bed is probably a common type of child imagining. Or it used to be. Thinking of imaginary friends (and a sudden thought from Liz that these could be re-appearing lost children from the material world) I put the words into the search engine and found this article:


Which refers to a report that found that far fewer children are having imaginary friends than before. Although it is one of those statistical analysis things where you wonder how they actually come up with such arbitrary numbers when they certainly haven’t spoken to every child or parent in the world (or even the country), it doesn’t surprise me that children are losing the inclination, and maybe the capacity, to imagine a friend.

The report cites the dominance of technology in even the youngest children’s lives. So the child is force-fed the garish images of television, computer games and internet and these stories and images appear to take over the child’s mind. It seems that the dominating technological offerings are removing the child’s ability, or desire, to create something from within their own imagination. There has been some perceptive criticism of the ways technology and social media is influencing us, particularly the young (for instance, see https://hendersonlefthook.wordpress.com/2018/01/09/tech-addiction-the-illuminati-agenda/ )

I think many of us have found ourselves, even as adults, staring mesmerised at a screen, even if there is no volume, and nothing interesting happening. We can be so distracted by the parade of imposed images that we may lose attention in a conversation with a person we are with, even if that person is someone we care about and the conversation is interesting (and the bleak fascination of the blank screen led to Charlie Brooker’s title for his brilliant series Black Mirror). Imagine the effect on very young minds. Or maybe I’ve got this the wrong way round slightly – because we have been fed those images and stories from an early age we have become conditioned to look at them.

Joseph Chilton Pearce wrote many books, including Magical Child and Evolution’s End where he talked of the way television (in the time the book was written, the internet and computer games were not yet a factor) contributed with other factors to disconnect the child from an empathic connection with the world.


Listening to the Richie Allen show a few days ago, when talking with the spiritual healer Mark Bajerski , Richie referred to the drastic cutting of arts teaching in schools.


This is also being carried out in higher education where the arts now receive no government funding and have suffered as a result. The obsession with making everything conform to a corporate mind-set where it only has value if money can be made from it, is sickeningly taking the creativity from our education system (such as it was anyway). In universities, the humanities are also cut back and seen as expendable. I believe this is all deliberate because our leaders do not want creative and questioning thinkers who may challenge the views they impose on us, and they certainly do not want people with an empathic connection with the world and each other.

In Ian McEwan’s The Child in Time, in a scene influenced by Pearce’s theories, it is remarked that the ‘government did not want a magical citizenry’ (McEwan 1987, 78). The innate creativity in a child is regarded as a threat to order and productivity. The psychoanalyst R. D. Laing argues that, if children were truly encouraged to be creative in our education system, to question the foundations of society, ‘there would be such creativity that society would not know where to turn’ (Laing, R.D. 1981 (1967). The Politics of Experience and The Bird of Paradise. Harmondsworth: Penguin Books Ltd. 60). The child’s creativity is a challenge and makes it a force to be controlled.

And so to another thread which I picked up on: I saw a picture during a discussion on the paranormal and was reminded about the phenomena of ‘black-eyed children’. These unnerving entities have been seen many times around the world, and usually take the form of one or two children with completely black eyes who knock steadily and persistently on the door to a house and ask to be allowed in. The people answering the door have commonly reported experiencing terror, although the children have not made any physical attempts to get in, and no threats of violence.  The children are often wearing old-fashioned or threadbare clothes and have pasty, white complexions.

Theories on what the children are and where they come from (and go to – they disappear immediately after their appearances) are many, from aliens, to ghosts, to vampires. The apparent need for the person confronted to invite the ‘entity’ inside does recall vampire legends. Elements like this, which resonate with mythic creatures, may lend weight to the assumption by more conventional commentators that this is purely an ‘urban legend’ (as stated by Wikipedia), whipped up by the internet.

However, interested to find out more, I listened to two interviews given by the ghost hunter and ufologist David Weatherly:



While Weatherly acknowledges the part played by the internet in circulating stories and fuelling interest in the phenomenon, he refers in detail to several witness accounts that sound more credible than the glossed over debunking on sites like Snopes (https://www.snopes.com/horrors/ghosts/blackeyed.asp). The cases I heard Weatherly describe happened to people who did not seem like the archetypal horror geeks who were trying to gain kudos in online communities like “creepypasta”. He notes that a large number of those who have claimed to have seen the black-eyed children are in positions of authority or responsibility, such as law enforcement, doctors or are government officials. Weatherly has researched the black-eyed children in detail, including references to such figures long before the explosion of the internet.

I’d like to offer another theory, not to make an actual claim that I know what the reality of these ‘kids’ is: for the purposes of my argument, I am going to consider them as the haunting, horrific return of the children that were forcefully removed from the world. Children who were ripped from the world by person or persons unknown, often with the permission or collusion of governments and other organisations of authority and supposed responsibility. If they are not actual victims of state mind control or organised abuses, and they are a product of a communal imaginary, then that in itself can be conceived of as a re-appearance of those forgotten, lost children who have been hidden from public view. The return of the repressed – Freud’s original definition of the uncanny.

A similar motif re-occurs frequently in ghost and horror stories, from the earliest of folk tales up to modern films and now internet threads. The wronged, abused, murdered child either returns in monstrous or spirit form to haunt and terrorise the people who tormented them, or just humanity in general, as we are all somehow guilty of allowing the horror to happen. And to be repeated. The repetition is at the heart of any haunting, the trauma gets re-played multiple times, across generations.

Demonic or supernatural children are everywhere, almost in equal measure to the numbers of missing children who are now nowhere. I wrote in my book about the way children are so often portrayed as monstrous: Damian, the Devil’s child, in the Omen film series, The Bad Seed, Children of the Corn, Lost Boys. In some narratives, a child was once an innocent victim until possessed or killed and then returns as evil. In The Exorcist, a pubescent girl becomes the focus for demonic possession, terrorizing her family. Such child figures have been discussed in the books Monstrous Children and Childish Monsters: Essays on Cinema's Holy Terrors (30 Mar 2015. Markus P.J. Bohlmann (Editor),‎ Sean Moreland (Editor)) and Evil Children in the Popular Imagination (2016. Karen J. Renner). The imaging of a horrifying child figure reveals aspects of our fears, whether about the world around us or something that has grown dark within us; the innocent contaminated.


In the 1980 film The Changeling, a house is haunted by the ghost of a murdered child. The title alludes to the legends and fairy tales where children’s abduction or death has rendered them into apparitions or demons. Such representations can be seen in the earliest recorded folk tales. Tales and legends of ‘changelings’, the replacement of human children by elves or fairies, have persisted throughout centuries and in many countries. This is the subject of W. B. Yeats’ poem ‘The Stolen Child’:

Come away, O human child!

To the waters and the wild

With a faery, hand in hand,

For the world's more full of weeping than you can understand.

 

The poem ends with the child’s seemingly willing acceptance of the faery’s hand, preferring an uncertain future in another realm to the world of misery that was (is?) the reality for the majority.

Society seems to demonise children in equal measure to regarding them as innocent. In Lionel Shriver’s novel We Need to Talk about Kevin, the mother of the boy who will become a killer remarks on the ‘revulsion’ she perceives from people in the street when she is pregnant. She asks why so many films

portray pregnancy as infestation, as colonization by stealth? Rosemary’s Baby was just the beginning. In Alien, a foul extraterrestrial claws its way out of John Hurt’s belly. In Mimic, a woman gives birth to a two-foot maggot. Later, the X-Files turned bug-eyed aliens bursting gorily from human midsections into a running theme. In horror and sci-fi, the host is consumed or rent, reduced to husk or residue so that some nightmare creature may survive its shell. (Shriver 69-70)

 

Of course, Rosemary’s Baby was not the beginning but merely an adaptation of ancient legends of succubus and changelings. This passage illustrates that childhood has been reviled and feared at least in equal measure to, and often concurrent with, feelings of reverence and love.

So, imagining children as evil and abhorrent is not new, not a creation of the internet. Is the internet robbing children of their imagination or virally sparking a surplus of imagination that damages them?

Another phenomena of internet horror stories which have taken on ‘a life of their own’ is ‘Slenderman’, a child-snatching monster (and think how many of those there have been through our culture, from Chitty Chitty Bang Bang to Freddy Krueger) created on the internet forum Something Awful. Initial images, which were submitted as part of a competition to edit normal photos to make them appear supernatural, became an ever multiplying meme as images, stories, role-playing and videos spread through online fiction known as “creepypasta”. The character has found its way into films:


Some researchers have noted the similarity to archaic, orally-transmitted tales because the character and stories develop and alter through multiple creators and voices. Also, Slenderman shares common themes with tales about fairies, such as a forest or wild natural setting and the abduction or murder of children (https://en.wikipedia.org/wiki/Slender_Man ).


In one of the interviews with David Weatherly, he discussed how there has been a number of reported sightings of Slenderman since the stories became widespread. The most logical explanation for this is either that people have deliberately concocted these supposedly real sightings to take part in the ongoing legend, or, possibly, that the frenzy of online creativity has caused people to imagine they have seen the character. The most horrific example of this was the case of two, then 12-year-old girls in Wisconsin, U.S.A., who stabbed a classmate 19 times, allegedly to gain the approval of Slenderman. The victim survived and the two perpetrators were diagnosed with mental illnesses but tried as adults. They were sentenced to 25 and 40 years in a mental hospital.

Andrew Peck sees Slenderman as representing anxieties around the digital age, such as continual connectedness to others and being observed by an unknown third party (http://www.jstor.org/stable/10.5406/jamerfolk.128.509.0333 ). The multiple, long, tentacle-like arms and the blank, featureless face of the creature could be seen as metaphors of the way the internet pervades our lives, surrounding and enfolding us, and how it also provides faceless powers with the means to watch our every move.

So maybe the imaginary friends of our childhood have been stolen away to become our virtual enemies? The Slenderman internet, or, more accurately, the Slendermen controlling the data and content of the internet, are robbing the imaginary and re-forming them into black-eyed kids who knock on the door and ask to be let in.

Of course, as I have already mentioned, the repeating of stories and images of lost children has happened across centuries and across the world. The stories haunt us, through language bound up in a communal, genetic memory. On one level, Black-eyed children and Slenderman appear out of the same void of loss and fear, the same anxiety about a world that we have little control over. The added element in these stories, I argue, is that the imaginary creations can be seen as a comment on the media through which they are being transmitted as well as the plight of children in our society.

The internet has become a monster that devours all of us. There is much which is good about “it” – it has provided the means for people to connect with others around the world and it has allowed much information which is hidden by the mainstream to be revealed. But, it has also enabled the hidden to observe us all like a phantom, malevolent in the ways it can use the same social interactions and revelations of knowledge against us. And, like the black-eyed children, it wants even more access to our homes and our minds…

The upcoming 5G network, often referred to as “the internet of things” (which, in itself, sounds like some sort of magical, mystical phrase) is worrying a number of people.  Apart from the fact that everything physical, all the buildings and gadgets that we rely on, will be open to manipulation and observation by anyone with access to the system, there is a very real concern about how the waves transmitted will affect human and animal health. Barrie Trower, a former Royal Navy Microwave Weapons Expert, has written and spoken extensively about what he regards as the devastating damage the radiation from 5G will cause:


Trower goes so far as to call the proposed network a potential “genocide” because, he argues, the radiation will cause miscarriages, and, when children are born, they will pass genetic damage on to successive generations. Maybe, these will become the lost children of the internet?


 

The vast majority of people, however, are seemingly unconcerned about any health issues, let alone about giving the controllers of the internet access to every physical aspect of their lives. They aren’t even waiting for the persistent knocking on the front door, they are so desperate to let the internet monster in that they are bursting with excitement for its arrival, leaving the door wide open and leaving the keys on the doorstep.

Wednesday 31 January 2018

Politics, void, and the child in time





(I am reposting this as it connects to my previous blog on Stranger Things...new content to follow soon)
There were a few critical comments from viewers of the recent adaptation of Ian McEwan’s novel The Child in Time which was shown on the BBC. Some found the plot ‘baffling’ with the storyline involving Stephen’s friend, the politician/publisher Charles Darke and his regression to childhood a bit difficult to digest. It was understandable that an hour and a half was too short a time to shoehorn all the different threads of the original novel.

 


I am pleased that the political focus of the novel was not ditched entirely. McEwan used his novel (published in 1987) as a critique of the Thatcher government. The ‘Prime Minister’ is always referred to by this title, the author deliberately avoiding any reference to the incumbent’s gender (gender itself being another prominent subject debated within the novel). The novel is set in a fictional near future, extrapolated from the social policies of the Conservative government in the 1980s. The opening pages follow Stephen as he weaves his way through busy London commuters, on his way to participate in a government enquiry, supposedly contributing to the formation of a new ‘Childcare Handbook’. A young beggar draws Stephen’s attention, makes him think of his own lost daughter, and also the moral degeneracy of the government (which has introduced licensed begging to replace social security benefits payments):

 

To give money ensured the success of the Government programme. Not to give involved some determined facing away from private distress. There was no way out. The art of bad government was to sever the line between public policy and intimate feeling, the instinct for what was right (The Child in Time, McEwan 1987, 8-9).







The loss of a child is clearly a metaphor for a governmental abuse of innocence. This opening scene establishes the interconnectedness of the plot themes: politics, the state of a nation and different concepts of time, all passing through the spectre of a lost child.

 

However, although Stephen’s missing child is often described in ghostly, uncanny terms, sweeping down to inhabit any child on the streets of London, the possibility that the child has been killed is never broached. Indeed, neither the book nor its adaptation mentions even the possibility that Kate could have been abducted by a paedophile. Instead, like the public pronouncements of the McCanns, Stephen imagines his daughter growing up with another family, taken as a surrogate daughter, ageing like the computer-aged images of Maddy.

 

The absence of any mention of child murder and paedophilia is itself a haunting omission from the story. The current Independent Inquiry into Child Sexual Abuse is due in 2018 to investigate allegations of child abuse and ‘exploitation involving people of public prominence associated with Westminster’.

 


 

The Inquiry stems from the belated public exposure of the widespread abuses of Jimmy Saville. Allegations of high-level paedophile rings have persisted over decades. Many of these allegations are still derided as ‘conspiracy theories’ but, it must be remembered, Saville’s crimes were also confined to the realm of supposition through decades when he was a high profile celebrity. More significantly, his horrific, systematic assaults were carried out while Saville was a close friend to both politicians (most notably Prime Minister Margaret Thatcher) and members of the British Royal Family (including Prince Charles). One of the intentions of the Inquiry is to uncover evidence of institutions covering-up or conspiring to enable such abuses to take place. For those members of the establishment who have recently reacted with outrage at investigations into former public figures and politicians, it must be remembered that Saville was allowed to destroy young people’s lives for the whole of his life, without anyone in authority questioning his behaviour. Allegations only seem to be taken seriously when the prominent person is dead, or very close to it, such as the investigation into the former Prime Minister Edward Heath:

 


 

At the time of writing, the IICSA was hearing evidence that the late Liberal MP Cyril Smith was known by security forces such as MI5 to be an abuser of boys. MI5 were aware that the Department for Public Prosecution had lied to elements of the press, denying having been sent reports of investigations into Smith’s crimes. A detective superintendent at Lancashire Police had actually made a damning report that stated

 

‘It seems impossible to excuse his [Smith’s] conduct over a considerable period of time whilst sheltering behind a veneer of respectability.

 

He has used his unique position to indulge in a sordid series of indecent episodes with young boys towards whom he had a special responsibility.’

 

This report was written in 1970, the year he first ran for office as an MP. The Inquiry heard that Margaret Thatcher would have been aware of the allegations prior to awarding Smith a knighthood in 1988. This was the year after The Child in Time was published. Although Smith himself was never in Government, other investigations and reports are uncovering strong evidence that so much abuse was known about during the years in which McEwan was writing his novel, and the decades leading up to it. The Conservative government Chief Whip during the leadership of Ted Heath in the 1970s, Tim Fortescue admitted in a national BBC television interview that they would help MPs who came to them with problems, including with ‘small boys’:


 

I don’t believe McEwan had any notion of there being hidden paedophile rings within circles of power within Westminster. But, the narrative refers to child abuse of a different kind, with the Government creating their own ’Authorised Childcare Handbook’ which promotes an authoritarian, disciplinarian approach to bringing-up children. The author of this handbook is discovered to be Stephen’s friend Charles Darke. His retirement from politics to live in the countryside, where he can play at a ‘Just William’ cliché of childhood, symbolises the conflict within individuals and society about what childhood represents. But, in our current society, a man re-living his childhood would involve simply playing computer games and immersing themselves in a virtual world – which is how many men now continue living their lives into adulthood, which is an interesting, possibly depressing, thing to contemplate in itself. At one point in The Child in Time, Stephen watches a new Government endorsed, all-day television channel. He despairs of the childishness of the contestants and audience on a game show. As other critics have noted, McEwan was anticipating our current obsession with multiple channels, satellite and digital, and the domination of reality television.

 

The fictional storyline is a commentary on the way politics rejects those qualities that are romantically associated with childhood: a freedom of spirit and unfettered connection with the natural world. But the television adaptation introduces a darker suggestion of conspiracy within government: Darke is found dead in the woods, dressed in his schoolboy clothes. He has apparently committed suicide, unable to reconcile the differences in his “nature”. However, an earlier scene where the Prime Minister discusses with his colleague the inconvenience caused by Darke’s actions, combined with mentions that Charles is under surveillance, suggests that he was actually killed by security services and his death made to look like suicide. At least one of the public comments I read after the Guardian online review of the television adaptation likened this apparent suicide in the woods to the death of the government scientist Dr David Kelly. Perhaps, in symbolic terms, the ‘murder’ of Darke in his short trousers represents a child sacrifice.

 

Believers in Satanism view their practices as influencing or even controlling events in the physical world. It has been alleged that Satanic paedophile rings use children to tap into a youthful energy which will confer on them an increase in power. In the final episode of the first season of the HBO series True Detective, a series which features such rings, the half-sister of the principal abuser, when asked where he is, says he ‘is all around us, before you were born and after you die’.  This concept of timelessness is one of the principal themes of The Child in Time. Although the television adaptation omits the references to quantum physics, it retains the scene at ‘The Bell’ pub. Stephen stumbles upon a pub while on the way to see his estranged wife. It seems familiar although he cannot remember ever being there. He looks in the window and sees a woman apparently arguing with her partner. Later, his now ageing mother reveals how she contemplated aborting Stephen before seeing a child through the window and realising that this was going to be her son (the adaptation diluted this to avoid mention of abortion).

 

In the novel, Stephen collapses after seeing the vision, temporarily falling into some sort of time warp. It is unsurprising that many viewers of the television adaptation were confused about the portrayal of a mixing of past and present in an otherwise “realistic” narrative, without the context of the discussions of different concepts of time. McEwan himself seemed conflicted over the scene, having his neurosurgeon hero of the much later novel Saturday despair of magic realist novels, particularly one where ‘One visionary saw through a pub window his parents as they had been some weeks after his conception, discussing the possibility of aborting him’ (McEwan 2006, 67-68). The neuro-surgeon, Henry Perowne, argues that, as a brain surgeon, he knows ‘for a quotidian fact, the mind is what the brain, mere matter, performs’ and ‘the supernatural was the recourse of an insufficient imagination, a dereliction of duty, a childish evasion of the difficulties and wonders of the real, of the demanding re-enactment of the plausible’ (McEwan 2006, 67-68).  The scene seemed to offend McEwan’s self-professed love of science.

 

But, perhaps, the uncanny and imaginary must break the conventional veneer of a rational, logical society which has been built on abuse and deceit. The trauma of the lost child is a cause of social breakdown and it is also a symptom of a crisis within humanity. The final episode of the first season of True Detective had a similar break with realism. There had been earlier signposting to enable viewers to process Rust’s vision of a whirlpool-like void above the head of the child-sacrificing villain. Rust mentioned several times that he experienced occasional hallucinations as a result of his previous time undercover with drug gangs. However, the visual presentation of the void is so striking and “real” that it should be considered as something more than mere hallucination. This is emphasised by Rust’s final speech at the end of the series. He tells his partner that when he saw the void, at the point of what seemed like his own imminent death, he felt the presence of his dead daughter. She brought with her an overwhelming sense of love, a love that was outside of the material corrupted world. Rust ends by saying that light seemed to be winning its battle with the dark. This may be a statement which is overly optimistic in view of the depths of depravity which our world is full of. There can only be hope that by letting light and love come through the traumatic void which our lost children leave behind, the material world can fill its own hole. 


Sunday 28 January 2018

my book...

Oh, and please check out my book, or if you work at a university or similar institution, please encourage them to buy it! (or maybe from a public library, if any of those still exist)




Also available at Amazon and suchlike.

Many thanks

Stranger Things have happened: Hollywood, abuse and what we have lost.



My wife, Liz, pointed out that this seems to be a reference to the common phrase “stranger things have happened”. Which could imply that the seemingly fantastical story in this series is actually more connected to reality...



There was reference in the first series to the U.S. Government’s use of MK Ultra mind control, some of which has been admitted to publicly. In 1995, then-President Bill Clinton issued a public apology to the many Americans who had been used in experiments to create ‘Manchurian Candidate’ types. There has recently been a docu-drama on Netflix which investigates an alleged victim of MK Ultra, entitled Wormwood. The publicly revealed extent of this mind control is probably only the tip of the iceberg. Women such as Brice Taylor and Cathy O’Brien have given detailed accounts that they were mind controlled sex slaves used by some of the most powerful people in the American government. Their claims, and those of others like them, have not been publicly acknowledged or even given serious coverage by mainstream media. The fact that some form of mind control experimentation has been admitted to by the American authorities would suggest that further claims should at least be taken seriously.

In Stranger Things, the character known as Eleven has been held in a government facility where her psychic abilities are tested and trained to be used by the military. In several scenes, newspaper clippings have been collected referring to many cases where children have been abducted or disappeared. The origin of Stranger Things comes from the alleged Montauk Project (Montauk was the original working title for the programme). This is claimed to be a secret American government project where young people were abducted and used for experiments. These allegedly involved various sci-fi sounding projects such as remote viewing: the ability to psychically connect with people across vast distances of time and space.

It has been frequently discussed in academic circles, amongst others, that people’s understanding and perception of the “real” world is increasingly governed by representation. These theories have recently found a much more dramatic expression from mainstream scientists and technologists: Elon Musk and Dr Rich Terrile of NASA, to name two high-profile figures, have claimed that our world is a giant hologram.



‘Will got lost in the woods’

Stranger Things is set in the 1980s (the period when it is claimed The Montauk Project was taking place) and the series references many films from that period. The motif of a gang of kids endearingly triumphing over evil adults was adapted through several films from that era – from E.T. to The Goonies, to Stand by Me. One of the child actors in both the latter two films was Corey Feldman, who has since, as an adult, spoken passionately about the widespread child abuse in Hollywood. He not only claims he himself was abused but also that the abuse suffered by his friend and co-star on the film The Lost Boys, Corey Haim, led to his problems with drugs and eventual death. A more recent documentary, An Open Secret, has testimonies from former child performers who were also abused by older men in the film and entertainment industries. The documentary highlights that at least two men convicted of child sexual abuse, who served prison sentences, are now released and back working in the film industry:


A documentary about the alleged Montauk Project talked of children being abducted in order to be used for the experiments (including men who said they were abductees). As mentioned above, Stranger Things dramatizes this but in the series the abducted children have been targeted deliberately because they have special psychic abilities.


Whether the Montauk Project happened or not, there is no doubt that children have been taken from their families, abused, and denied identities across the world, in many different forms for centuries. The Child Migration schemes where children from poor backgrounds, who were in institutions in the U.K., were shipped to the colonies such as Australia and Canada were a Twentieth Century development of the practice of ‘spiriting’. This practice stretches all the way back to the early years of Empire: in 1618 one hundred child migrants ‘were sent by the City of London at the request of the Virginia Company to provide labour for the colony (Lynch 11). Such organised parties in the period up to the nineteenth century were only ‘sporadic’ (Lynch, Gordon. 2015. Remembering Child Migration. London: Bloomsbury 11) but there was alongside this the widespread abduction of poor children, many of whom had families, from Britain to be shipped to the emerging colonies. They were abducted from streets and countryside, one contemporary account stated that ‘in the dead of night children were taken by force from the beds where they slept […by] ruffians who hunted their prey as beasts of the chase’ (from The Book of Bon-Accord cited by Skelton, Douglas. 2005. Indian Peter: the Extraordinary Life and Adventures of Peter Williamson. Edinburgh: Mainstream Publishing 24). The term ‘spiriting’ has uncanny connotations alongside such a terrible practice. For those parents whose children were taken it must have felt like bereavement, as if their children were now ghosts. The children ripped from their homes and taken to a very alien place, the ‘New World’, may also have felt that they had been removed to a different reality. I list just a few other examples of mass child abduction, from across decades and in several different countries, at the bottom of this post.

When Will disappears at the beginning of the first season of Stranger Things, the absence which creates the ensuing narrative, he is taken to the ‘Upside Down’, another dimension which is a dark version of the ‘real’ world (as if the world we normally live in isn’t dark enough). I would argue that this abduction, revealing an evil strata within the structures that we consider safe, is symbolic of how children are ‘spirited away’ from the material world and the way this turns the reality we perceive upside down.

The threatened children in Stranger Things could be seen as a metaphor for those traumatised children who have been the victims of paedophilia in Hollywood over the years.  The children running in fear from the evil scientists and government authorities can be seen to represent the many, many children pursued and abused, who were like them, child actors and stars. When the other characters in Stranger Things refer to Will being lost in the woods, it is the woods which the fairy stories through centuries have warned us about (and simultaneously drawn us towards). The ‘woods’ which are now also our cities and towns…
(and incidentally, for a quick compression of fairy-tale to modern day paedophilia – and Hollywood, check this out:

They are taking our will away, and most people don't seem to be looking in the right places.

Please look at these examples below and consider the way our society is built over the bodies of children.

Hundreds of children a year are abducted from Kolkata in India and sold into slavery or sexual exploitation (and that’s just from one city in one country):
In Spain under Franco, around 300,000 babies are estimated to have been taken from their mothers at birth, the mothers told their children had died, and the children were given or sold to families considered more ‘desirable’ by Franco’s authorities and the Catholic Church:
In the early years of the Israeli state, hundreds of children were taken from mostly Yemeni  Jewish families:
Roma children were systematically taken in Switzerland over decades and placed in institutions, in yet another example of organised targeting of children from poor or minority groups:
A paedophile ring involving politicians, including in The White House, was appallingly covered-up in the 1980s: