Showing posts with label Child Migration. Show all posts
Showing posts with label Child Migration. Show all posts

Sunday, 28 January 2018

Stranger Things have happened: Hollywood, abuse and what we have lost.



My wife, Liz, pointed out that this seems to be a reference to the common phrase “stranger things have happened”. Which could imply that the seemingly fantastical story in this series is actually more connected to reality...



There was reference in the first series to the U.S. Government’s use of MK Ultra mind control, some of which has been admitted to publicly. In 1995, then-President Bill Clinton issued a public apology to the many Americans who had been used in experiments to create ‘Manchurian Candidate’ types. There has recently been a docu-drama on Netflix which investigates an alleged victim of MK Ultra, entitled Wormwood. The publicly revealed extent of this mind control is probably only the tip of the iceberg. Women such as Brice Taylor and Cathy O’Brien have given detailed accounts that they were mind controlled sex slaves used by some of the most powerful people in the American government. Their claims, and those of others like them, have not been publicly acknowledged or even given serious coverage by mainstream media. The fact that some form of mind control experimentation has been admitted to by the American authorities would suggest that further claims should at least be taken seriously.

In Stranger Things, the character known as Eleven has been held in a government facility where her psychic abilities are tested and trained to be used by the military. In several scenes, newspaper clippings have been collected referring to many cases where children have been abducted or disappeared. The origin of Stranger Things comes from the alleged Montauk Project (Montauk was the original working title for the programme). This is claimed to be a secret American government project where young people were abducted and used for experiments. These allegedly involved various sci-fi sounding projects such as remote viewing: the ability to psychically connect with people across vast distances of time and space.

It has been frequently discussed in academic circles, amongst others, that people’s understanding and perception of the “real” world is increasingly governed by representation. These theories have recently found a much more dramatic expression from mainstream scientists and technologists: Elon Musk and Dr Rich Terrile of NASA, to name two high-profile figures, have claimed that our world is a giant hologram.



‘Will got lost in the woods’

Stranger Things is set in the 1980s (the period when it is claimed The Montauk Project was taking place) and the series references many films from that period. The motif of a gang of kids endearingly triumphing over evil adults was adapted through several films from that era – from E.T. to The Goonies, to Stand by Me. One of the child actors in both the latter two films was Corey Feldman, who has since, as an adult, spoken passionately about the widespread child abuse in Hollywood. He not only claims he himself was abused but also that the abuse suffered by his friend and co-star on the film The Lost Boys, Corey Haim, led to his problems with drugs and eventual death. A more recent documentary, An Open Secret, has testimonies from former child performers who were also abused by older men in the film and entertainment industries. The documentary highlights that at least two men convicted of child sexual abuse, who served prison sentences, are now released and back working in the film industry:


A documentary about the alleged Montauk Project talked of children being abducted in order to be used for the experiments (including men who said they were abductees). As mentioned above, Stranger Things dramatizes this but in the series the abducted children have been targeted deliberately because they have special psychic abilities.


Whether the Montauk Project happened or not, there is no doubt that children have been taken from their families, abused, and denied identities across the world, in many different forms for centuries. The Child Migration schemes where children from poor backgrounds, who were in institutions in the U.K., were shipped to the colonies such as Australia and Canada were a Twentieth Century development of the practice of ‘spiriting’. This practice stretches all the way back to the early years of Empire: in 1618 one hundred child migrants ‘were sent by the City of London at the request of the Virginia Company to provide labour for the colony (Lynch 11). Such organised parties in the period up to the nineteenth century were only ‘sporadic’ (Lynch, Gordon. 2015. Remembering Child Migration. London: Bloomsbury 11) but there was alongside this the widespread abduction of poor children, many of whom had families, from Britain to be shipped to the emerging colonies. They were abducted from streets and countryside, one contemporary account stated that ‘in the dead of night children were taken by force from the beds where they slept […by] ruffians who hunted their prey as beasts of the chase’ (from The Book of Bon-Accord cited by Skelton, Douglas. 2005. Indian Peter: the Extraordinary Life and Adventures of Peter Williamson. Edinburgh: Mainstream Publishing 24). The term ‘spiriting’ has uncanny connotations alongside such a terrible practice. For those parents whose children were taken it must have felt like bereavement, as if their children were now ghosts. The children ripped from their homes and taken to a very alien place, the ‘New World’, may also have felt that they had been removed to a different reality. I list just a few other examples of mass child abduction, from across decades and in several different countries, at the bottom of this post.

When Will disappears at the beginning of the first season of Stranger Things, the absence which creates the ensuing narrative, he is taken to the ‘Upside Down’, another dimension which is a dark version of the ‘real’ world (as if the world we normally live in isn’t dark enough). I would argue that this abduction, revealing an evil strata within the structures that we consider safe, is symbolic of how children are ‘spirited away’ from the material world and the way this turns the reality we perceive upside down.

The threatened children in Stranger Things could be seen as a metaphor for those traumatised children who have been the victims of paedophilia in Hollywood over the years.  The children running in fear from the evil scientists and government authorities can be seen to represent the many, many children pursued and abused, who were like them, child actors and stars. When the other characters in Stranger Things refer to Will being lost in the woods, it is the woods which the fairy stories through centuries have warned us about (and simultaneously drawn us towards). The ‘woods’ which are now also our cities and towns…
(and incidentally, for a quick compression of fairy-tale to modern day paedophilia – and Hollywood, check this out:

They are taking our will away, and most people don't seem to be looking in the right places.

Please look at these examples below and consider the way our society is built over the bodies of children.

Hundreds of children a year are abducted from Kolkata in India and sold into slavery or sexual exploitation (and that’s just from one city in one country):
In Spain under Franco, around 300,000 babies are estimated to have been taken from their mothers at birth, the mothers told their children had died, and the children were given or sold to families considered more ‘desirable’ by Franco’s authorities and the Catholic Church:
In the early years of the Israeli state, hundreds of children were taken from mostly Yemeni  Jewish families:
Roma children were systematically taken in Switzerland over decades and placed in institutions, in yet another example of organised targeting of children from poor or minority groups:
A paedophile ring involving politicians, including in The White House, was appallingly covered-up in the 1980s:

Saturday, 30 September 2017

Dr Who and Children through Time


I’ve been a Dr Who fan since my own childhood, hiding behind cushions and, I remember once, peaking from just inside the kitchen door, fearful of even being in the same room as whatever monstrous creation was being shown (but not wanting to turn off and miss the story completely).

A 2014 Dr Who episode made an interesting reference to our ingrained, culturally inherited fears and the way they collect around the figure of a lost child. Episode 10, 'In the Forest of the Night', written by the author and scriptwriter Frank Cottrell-Boyce, began with a schoolgirl running through forest as if pursued. Significantly, she was wearing a red hooded coat so we were deliberately drawn to the tales of 'Little Red Riding Hood'. 





There were several other references to this during the programme, particularly the appearance of wolves, and also to ‘Hansel and Gretel’ (the girl leaving a trail of items from her school bag, rather than breadcrumbs, to allow the Doctor to follow). London, and the whole world, had been covered overnight with forest and the Doctor realised (of course) that this was to protect the world from being annihilated by a solar flare. Of most interest to me was the Doctor’s assertion at the end that this had happened before but the human race had forgotten, except to immortalise the feelings of fear, putting them into 'fairy stories'. The Doctor describes forgetting as 'the human super power', without which we wouldn't 'go to war or make babies'. At the climax of the story, the girl in the red coat goes home to be reunited with her sister who had gone missing, prompting the hearing of voices and visions of the future.

A lot of my research is looking in to why the figure of the lost child is so often the centre of stories of fear, even to the point of our whole world being torn apart. Of course, any real lost child is a tragedy which must be agony for those that suffer it. The first series of BBC drama The Missing, about the abduction of a child, has as its tagline 'Every parent's worst nightmare'. And dramatists, writers, TV and film makers all clearly know that they tap into this psychological darkness - and that because of that many will not turn away but turn on. I believe there is more than just a parent's fear of being parted from their child in the constant manifestations of lost children. In a similar way to the Doctor (stick with me on this), I think that the 'lost child' is one of those archetypes which dwell within us, are passed down through a sort of collective memory or, if nothing else, is passed through time in the stories we tell, from the oral tales that Hansel and Gretel and Red Riding Hood wandered out of, to the image-laden, noisy narratives of now.

The lost child figure is bound up with our thoughts about birth and procreation (not surprisingly) but is also intrinsic to how we think about death and war. Like Doctor Who it is also about time - futures possible but curtailed, pasts forgotten or re-created - as the good Doctor suggested, the human race is good at forgetting, forgetting the really profound, burying it deep. How else to explain that, until recently, the British public had no idea about the centuries-old practice of Child Migration, where hundreds of thousands of children were parted from their families and sent to live in horrific conditions in far away colonies? or to explain the silence surrounding the thousands of children who go missing every year, a silence which also surrounds the incredibly loud furore over a few highly-publicised cases (why them and not the others?) If we care so deeply how do we allow children to be lost on a daily basis?